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Choral at Cadogan 26-27: The Sixteen + Britten Sinfonia – MacMillan Stabat Mater

Cadogan HallChelsea, London

1 April 2027

1 scheduled performance

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TITLE: The Sixteen & Britten Sinfonia --- SUBTITLE: MacMillan Stabat Mater --- DATE/TIME: Thursday 1 April 2027, 7.30pm --- PROGRAMME: Palestrina – Stabat Mater; Shostakovich – Chamber Symphony, Op. 110a; Sir James MacMillan – Stabat Mater --- PERFORMERS: The Sixteen; Britten Sinfonia; Harry Christophers (conductor) --- EVENT COPY: An emotionally charged Eastertide sequence, culminating in a searingly direct and affecting work of our time – an instant 21st-century classic. Sir James MacMillan eloquently captures the intensity of Mary's sorrow at the death of her son, grief both personal and…

Choral at Cadogan 26-27: The Sixteen + Britten Sinfonia – MacMillan Stabat Mater
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Chelsea, London

Cadogan Hall

1 performance
  1. Thursday2027

Source Participating venue box offices (Spektrix public listings API). This venue source was last successfully read 7 Nov 2026, 03:15 UK. Dates and prices can change after we read them — confirm with the venue.

Full production description

TITLE: The Sixteen & Britten Sinfonia --- SUBTITLE: MacMillan Stabat Mater --- DATE/TIME: Thursday 1 April 2027, 7.30pm --- PROGRAMME: Palestrina – Stabat Mater; Shostakovich – Chamber Symphony, Op. 110a; Sir James MacMillan – Stabat Mater --- PERFORMERS: The Sixteen; Britten Sinfonia; Harry Christophers (conductor) --- EVENT COPY: An emotionally charged Eastertide sequence, culminating in a searingly direct and affecting work of our time – an instant 21st-century classic. Sir James MacMillan eloquently captures the intensity of Mary's sorrow at the death of her son, grief both personal and universal, recognisable to hundreds of thousands of parents in troubled times of migration and war. It conveys dense despair but also, exquisitely, lets the light in. It is complemented by the austere purity of Palestrina's 16th-century setting for double choir, and by Shostakovich, who pours his own

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